Fer-De-Lance

I had reported to Wolfe up in the front plant-room, the sun-room, leaving Anna down in the office. He sat there in the big chair with a red and tan orchid eight inches wide tickling the back of his neck, looking not interested. He really wasn't interested. He barely glanced at the papers and things I had brought with me from Maffei's room. He admitted that the phone call had a dash of possibility in it, but couldn't see that there was anything to bother about. I tried to persuade him that since the girl was already downstairs he might as well take it up and see what he could get; and I added with malice: "Anyway, she cost a dollar. I had to give the landlady a dollar."

"That was your dollar, Archie."

"No, sir, it was an expense dollar. It's down in the book."

I went with him to the elevator. If he had had to do his own lifting and lowering I don't think he would ever have gone upstairs, even for the plants.

He began on Anna at once. It was beautiful. Five years earlier I wouldn't have appreciated it. It was beautiful because it was absolutely comprehensive. If there was anything in that girl, any bit of knowledge, any apparently forgotten shred of feeling or reaction, that could show us a direction or give us a hint, it simply could not have kept away from him. He questioned her for five hours. He asked her about Carlo Maffei's voice, his habits, his clothing, his meals, his temper, his table manners, his relations with his sister, with Mrs. Ricci, with Anna herself, with everyone Anna had ever seen him with. He asked her about Mrs. Ricci, about all the residents of the rooming-house for two years, about the neighbors, and about the tradesmen who delivered things to the house. All this he did easily and leisurely, careful not to tire her-quite different from the time I watched him with Lon Graves; him he wore down and drove halfway crazy in an afternoon.